Entrances

Entrances is an ethno-photographic project that captured old doorways as a means to reimagine its social context in a time of utilitarian architecture. The project's title stems from Dylan Thomas' collection of poems "Deaths and Entrances", in which one tries to antagonise the concept of the “door” as this practical vehicle for modern life as well as a site for the death of feelings and experiences. To what extent can entrances represent control and imprisonment? This series re-affirms the viewer’s humility in the face of loci of material and human encounters.